Artist Statement

My work reimagines everyday moments, often overlooked or dismissed, by using humor, irony, and visual storytelling to give them new meaning. Rooted in photorealism with a pop-art sensibility, I aim to create pieces that elicit raw, unfiltered reactions, forging an emotional connection with the viewer. The intention is for each piece to go beyond simple observation—encouraging the viewer to feel deeply before interpreting the work.

In "The Cold", for example, I take the fleeting, seemingly mundane act of a sneeze and elevate it to something artistic, finding beauty in what is often considered awkward or unpleasant. "Teenage Negativity" uses the negative space of a photorealistic portrait of my daughter to merge the humor of adolescence with a deeper, ironic commentary on teenage moods. In my Upper Lipholstery series, my daughters, adorned with whimsical mustaches and bowler hats, evoke a sense of nostalgia and joy, inviting the viewer to see everyday life in a new light.

This commitment to capturing unguarded, human moments draws on the influence of artists like Chuck Close, Audrey Flack, Man Ray, and Andy Warhol, whose unique approaches have shaped my understanding of how art can fuse realism with deeper narrative. Each painting blends technical precision with an emotional resonance that invites personal connection.

My process is deeply intentional and meticulous, often described as slightly obsessive, as I break down scenes into their most basic elements, allowing me to render even the most fleeting expressions with thoughtful attention and intricate detail. Collecting my work means owning pieces that celebrate life's subtleties, blending realism with wit and introspection. These works are not merely objects to be observed—they are invitations to feel, connect, and reflect, making them meaningful and memorable additions to any collection.